Join me for a unique six week online character development course and learn the essentials of how to create an eye-catching wrestling character that stands out in an overcrowded roster.
Do you want to learn how to perform brutal blows and shockingly hard, yet safe strikes? Then join me for a 3 hour seminar focusing in on one of the most important aspects of wrestling.
Do you want to learn how to perform brutal blows and shockingly hard, yet safe strikes? Then join me for a 3 hour seminar focusing in on one of the most important aspects of wrestling.
Telling a story based around working a body part is quite rare in today’s contemporary style of wrestling. However there are still many wrestlers that use this trope well, and as a result are highly praised for being technical workers.
Today’s contemporary fast-paced acrobatic style of wrestling is becoming more and more choreographed. Set piece sequences, devised spots and advanced planning allows performers to put on spectacular matches from start to finish. But it’s important to remember, this isn’t the only method of creating attention grabbing matches.
Do you want to learn how to perform brutal blows and shockingly hard, yet safe strikes? Then join me for a 3 hour seminar focusing in on one of the most important aspects of wrestling.
This familiar phrase has appeared and reappeared in a variety of creative contexts over the past hundred years or so, and has been attributed to a broad range of thinkers from Pablo Picasso and TS Eliot to Steve Jobs. But what does the expression actually mean and how as wrestlers can we use it to ensure we deliver show stopping matches week in week out without following a ‘main event formula’?
The term ‘selling’ is common parlance in the world of wrestling. But what does it really mean to ‘sell’ a hold, a strike or a bump in the context of contemporary indie wrestling? Why do we do it? And what does it contribute to the audiences experience of the match?
